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BEST 100
FEATURE FILM SCREENPLAYS OF ALL TIME
Beverly
Hills, CA USA
February
26, 2004
The American
Screenwriters Association (ASA) announced today the results of their eighteen-month
project to determine the 100 Best Feature Film Screenplays of all
time. A distinguished panel of screenwriters, producers and industry professionals
based their assessments on criteria including the depth and originality
of the writing, the script’s impact upon its release and its longevity
and relativity over time, and solid writing principles such as character,
dialogue and plot.
“ASA undertook
compiling this list to illustrate the contribution screenwriters have made
to the entire movie industry in entertaining generations of movie goers
over the years,” said John E. Johnson, ASA Executive Director. “The panel
selected some scripts written more than half century ago as well as some
recently released. Clearly, some of the most enduring and indelible impressions
we have were created through the imagination of screenwriters.”
According to
the panel, the best screenplay of all time is Horton Foote’s adaptation,
To
Kill a Mockingbird (1962) starring Gregory Peck and Robert Duvall.
Following closely behind in second place was Casablanca (1942);
Gone
with the Wind (1939) was in third place; The Wizard of Oz (1939)
in fourth place; The Shawshank Redemption (1994) in fifth place;
Schindler’s List (1993) in sixth place; It’s a Wonderful Life (1946) in
seventh place; Bridge on the River Kwai (1957) in eighth place;
Some
Like it Hot (1959) in ninth place and Mr. Smith Goes to Washington
(1939) in tenth place. Rounding out the top 100 was Amelie (2002)
in ninety-eighth place; Das Boot (1981) in ninety-ninth place; and
Braveheart
(1995) capturing the final spot.
“We’re certain
the list will generate some lively discussion among the entertainment industry
and movie buffs for some time to come, “ Johnson said. “And that’s good,
we should be engaged in healthy discussions about what makes a good screenplay,
so that the art of screenwriting continues to advance and we encourage
more people to get involved with screenwriting.”
Notable writers
whose scripts made the top 100 include Billy Wilder (Some Like
it Hot, Sunset Boulevard, Double Indemnity), William Goldman
(Butch Cassidy and the Sundance Kid, All the President's Men) Mel
Brooks (Young Frankenstein, Blazing Saddles, The Producers),
Francis
Ford Coppola (Patton, The Godfather, Apocalypse Now) and Ernest
Lehman (North by Northwest, The Sound of Music, West Side Story)
just to name a few.
* There were
no distinctions made between original screenplays or adaptations during
the evaluation of the scripts. The scripts were reviewed solely on the
merits of the writer's work. Only scripts produced through 2002 were considered
due to time constraints.
Top
100 Screenplays
Writers
with Most Screenplays in Top 100
NOTE: Titles, Release Year and
Screenwriting credit(s) is based on information obtained from a variety
of resources. To correct and errors or omissions please email us at top100screenplays@goasa.com.
Thank you!
Place
Script Title
Year
Screenwriter(s)
| 1 |
To
Kill A Mockingbird |
1962 |
Horton Foote |
| 2 |
Casablanca |
1942 |
Julius J.
Epstein, Philip G. Epstein, Howard Koch |
| 3 |
Gone with
the Wind |
1939 |
Sidney Howard |
| 4 |
The Wizard
of Oz |
1939 |
Noel Langley,
Florence Ryerson, Edgar Allan Wolfe |
| 5 |
The Shawshank
Redemption |
1994 |
Frank Darabont |
| 6 |
Schindler's
List |
1993 |
Steven Zaillian |
| 7 |
It's a Wonderful
Life |
1946 |
Frank Capra |
| 8 |
Bridge on
the River Kwai |
1957 |
Pierre Boulle,
Carl Foreman, Michael Wilson |
| 9 |
Some Like
it Hot |
1959 |
Billy Wilder |
| 10 |
Mr. Smith
Goes to Washington |
1939 |
Lewis R. Foster |
| 11 |
North by Northwest |
1959 |
Ernest Lehman |
| 12 |
Rear Window |
1954 |
John Michael
Hayes |
| 13 |
The Sound
of Music |
1965 |
Ernest Lehman |
| 14 |
All Quiet
on the Western Front |
1930 |
George Abbott,
Maxwell Anderson, Del Andrews |
| 15 |
Forrest Gump |
1994 |
Eric Roth |
| 16 |
Patton |
1970 |
Francis Ford
Coppola, Edmund H. North |
| 17 |
Guess Who's
Coming to Dinner |
1967 |
William Rose |
| 18 |
The Godfather |
1972 |
Francis Ford
Coppola, Mario Puzo |
| 19 |
Lawrence of
Arabia |
1962 |
Robert Bolt,
Michael Wilson |
| 20 |
The Graduate |
1967 |
Calder Willingham,
Buck Henry |
| 21 |
On the Waterfront |
1954 |
Budd Schulberg |
| 22 |
The African
Queen |
1951 |
James Agee,
John Huston |
| 23 |
Sunset Boulevard |
1950 |
Charles Brackett,
Billy Wilder, D. M Marshman Jr. |
| 24 |
One Flew Over
the Cuckoo's Nest |
1975 |
Lawrence Hauben,
Bo Goldman |
| 25 |
Star Wars |
1977 |
George Lucas |
| 26 |
Psycho |
1960 |
Joseph Stefano |
| 27 |
The Grapes
of Wrath |
1940 |
Nunnally Johnson |
| 28 |
Chinatown |
1974 |
Robert Towne |
| 29 |
Jaws |
1975 |
Peter Benchley,
Carl Gottlieb |
| 30 |
Butch Cassidy
and the Sundance Kid |
1969 |
William Goldman |
| 31 |
Close Encounters
of the Third Kind |
1977 |
Steven Spielberg |
| 32 |
Dr. Strangelove |
1964 |
Stanley Kubrick,
Peter George, Terry Southern |
| 33 |
Citizen Kane |
1941 |
Orson Welles,
Herman J. Mankiewicz |
| 34 |
West Side
Story |
1961 |
Ernest Lehman |
| 35 |
Double Indemnity |
1944 |
Billy Wilder,
Raymond Chandler |
| 36 |
An Affair
to Remember |
1957 |
Leo McCarey,
Delmer Daves |
| 37 |
All the President's
Men |
1976 |
William Goldman |
| 38 |
Young Frankenstein |
1974 |
Gene Wilder,
Mel Brooks |
| 39 |
War of the
Worlds |
1953 |
Barre Lyndon,
H. G. Wells |
| 40 |
Twelve Angry
Men |
1957 |
Reginald Rose |
| 41 |
Rain Man |
1988 |
Ron Bass,
Barry Morrow |
| 42 |
Miracle on
34th Street |
1947 |
George Seaton |
| 43 |
Mary Poppins |
1964 |
Bill Walsh,
Don DaGradi |
| 44 |
M*A*S*H |
1970 |
Ring Lardner,
Jr. |
| 45 |
Kramer vs.
Kramer |
1979 |
Robert Benton |
| 46 |
Fiddler on
the Roof |
1971 |
Joseph Stein |
| 47 |
Driving Miss
Daisy |
1989 |
Alfred Uhry |
| 48 |
Mutiny on
the Bounty |
1935 |
Jules Furthman,
Talbot Jennings, Carey Wilson |
| 49 |
All About
Eve |
1950 |
Joseph L.
Mankiewicz |
| 50 |
2001: A Space
Odyssey |
1968 |
Stanley Kubrick,
Arthur C. Clarke |
| 51 |
Bonnie and
Clyde |
1967 |
David Newman,
Robert Benton |
| 52 |
Doctor Zhivago |
1965 |
Robert Bolt |
| 53 |
Streetcar
Named Desire |
1951 |
Tennessee
Williams, Oscar Saul |
| 54 |
From Here
to Eternity |
1953 |
Daniel Taradash |
| 55 |
Amadeus |
1984 |
Peter Shaffer |
| 56 |
Rebel Without
a Cause |
1955 |
Stewart Stern |
| 57 |
Vertigo |
1958 |
Alec Coppel,
Samuel A. Taylor |
| 58 |
Blazing Saddles |
1974 |
Mel Brooks,
Richard Pryor, Andrew Bergman, Norman Steinberg, Alan Uger |
| 59 |
The Maltese
Falcon |
1941 |
John Huston |
| 60 |
Midnight Cowboy |
1969 |
Waldo Salt |
| 61 |
A Place in
the Sun |
1951 |
Michael Wilson,
Harry Brown |
| 62 |
My Fair Lady |
1964 |
Alan Jay Lerner |
| 63 |
Rocky |
1976 |
Sylvester
Stallone |
| 64 |
The French
Connection |
1971 |
Ernest Tidyman |
| 65 |
Raging Bull |
1980 |
Paul Schrader,
Mardik Martin |
| 66 |
Apocalypse
Now |
1979 |
John Milius,
Francis Ford Coppola |
| 67 |
Treasure of
the Sierra Madre |
1948 |
John Huston |
| 68 |
The Birth
of a Nation |
1915 |
Thomas F.
Dixon, Jr. |
| 69 |
Taxi Driver |
1976 |
Paul Schrader,
Mardik Martin |
| 70 |
Stagecoach |
1939 |
Dudley Nichols |
| 71 |
Dances with
Wolves |
1990 |
Michael Blake |
| 72 |
American Graffiti |
1973 |
George Lucas,
Gloria Katz, Willard Huyck |
| 73 |
Annie Hall |
1977 |
Woody Allen,
Marshall Brickman |
| 74 |
High Noon |
1952 |
Carl Foreman |
| 75 |
It Happened
One Night |
1934 |
Robert Riskin |
| 76 |
Fargo |
1996 |
Joel Coen,
Ethan Coen |
| 77 |
Network |
1976 |
Paddy Chayefsky |
| 78 |
The Philadelphia
Story |
1940 |
Donald Ogden
Stewart |
| 79 |
The Best Years
of our Lives |
1946 |
Robert E.
Sherwood |
| 80 |
A Clockwork
Orange |
1971 |
Stanley Kubrick |
| 81 |
Easy Rider |
1969 |
Peter Fonda,
Dennis Hopper, Terry Southern |
| 82 |
Saving Private
Ryan |
1998 |
Robert Rodat |
| 83 |
Sling Blade |
1996 |
Billy Bob
Thorton |
| 84 |
Silence of
the Lambs |
1991 |
Ted Tally |
| 85 |
Terms of Endearment |
1983 |
James L. Brooks |
| 86 |
Gandhi |
1982 |
John Briley |
| 87 |
Dog Day Afternoon |
1975 |
Frank Pierson |
| 88 |
The Sting |
1973 |
David S. Ward |
| 89 |
The Producers |
1968 |
Mel Brooks |
| 90 |
Splendor in
the Grass |
1961 |
William Inge |
| 91 |
The Greatest
Show on Earth |
1952 |
Fredric M.
Frank, Theodore St. John, Frank Cavett |
| 92 |
A Beautiful
Mind |
2001 |
Akiva Goldsman |
| 93 |
Big |
1988 |
Gary Ross,
Anne Spielberg |
| 94 |
Farewell,
My Concubine |
1993 |
Lillian Lee,
Wei Lu |
| 95 |
Goodfellas |
1990 |
Nicholas Pileggi,
Martin Scorsese |
| 96 |
Life is Beautiful |
1997 |
Vinenzo Cerami,
Roberto Benigni |
| 97 |
Groundhog
Day |
1994 |
Danny Rubin,
Harold Ramis |
| 98 |
Amélie |
2002 |
Guillaume
Laurant, Jean-Pierre Jeunet |
| 99 |
Das Boot |
1981 |
Wolfgang Peterson |
| 100 |
Braveheart |
1995 |
Randall Wallace |
Writers
with Most Screenplays in Best 100
| Mel Brooks |
Blazing
Saddles |
Young Frankenstein |
The Producers |
| Francis
Ford Coppola |
Patton |
The Godfather |
Apocalypse
Now |
| Ernest
Lehman |
North by
Northwest |
The Sounds
of Music |
West Side
Story |
| John Huston |
The African
Queen |
The Maltese
Falcon |
Treasure
of the Sierra Madre |
| Stanley
Kubrick |
Dr. Strangelove |
A Clockwork
Orange |
2001 A
Space Odyssey |
| Billy Wilder |
Sunset
Boulevard |
Some Like
it Hot |
Double
Indemnity |
| William
Goldman |
Butch Cassidy
and the Sundance Kid |
All the
President's Men |
|
| George
Lucas |
Star Wars |
American
Graffiti |
|
| Woody Allen |
Annie Hall |
|
|
| Steven
Spielberg |
Close Encounters
of the Third Kind |
|
|
| Orson Welles |
Citizen
Kane |
|
|
| Ron Bass |
Rain Main |
|
|
| Gary Ross |
Big |
|
|
| James L.
Brooks |
Terms of
Endearment |
|
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